Showing posts with label James Joyce. Show all posts
Showing posts with label James Joyce. Show all posts

Sunday, July 17, 2016

Joyce

James Joyce


“O pa!” he cried. “Don't beat me, pa! And I'll… I’ll say a Hail Mary for you... I'll say a Hail Mary for you, pa, if you don't beat me… I'll say a Hail Mary....”
~ from Dubliners by James Joyce

James Joyce was born on a Thursday - the second of February in 1882 –in Brighton Square, Rathgar, Dublin.  His parents, John and May, were a middle-class Irish Catholic couple, were reportedly bad with money and unhappy.  James was the first of their ten surviving children, and his childhood was filled with painful memories.  A brilliant student, he excelled at Jesuit schools, despite his father's alcoholism and his family’s unpredictable finances. He went on to attend University in Dublin and later began writing and teaching.  Joyce bleeds green, and his Irish experiences are at the core of his writings, providing the settings for his fiction.   He is best known for writing Ulysses, the massive novel that no publisher would touch and Joyce self-published –it is now considered one of the greatest novels of the 20th century.  Joyce is also known for his heart-wrenching poetry, short-stories and his published letters.


When We Met:  I grew up with an Irish Catholic father who loved Joyce and had many of his works in his extensive library.  One night, when I was about sixteen, I decided to read from my father’s bookshelf instead of  the pulp well from which I usually drew.  I borrowed a copy of Joyce’s Dubliners, a book that appeared to be a collection of short stories.  I read a story called “Counterparts,” a haunting masterpiece that I still consider one of the best stories I have ever read.  It seems simple in plot—one day in the life of a man in the throes of alcoholism—but it injects the terrible emotion that accompanies abuse. I didn’t sleep much that night, but I never forgot the way the story affected me. 


Why He’s Good:  Joyce is seen as a “writer’s writer” constructing both the long and short story with personal tension and human idiosyncrasies.  He speaks the Irish Catholic dialect of the English language so well that the reader can hear his heart beat while reading.  Joyce describes the inexplicable guilt that permeates our DNA.  He shows unattainability in love and life.  He juxtaposes unsinkable hope and a dismal future.  He introduces us to the priest who says mass, the barmaids pouring drinks, the children with one coin to spend, the fathers who cannot remember their children's’ names.  Everything he wrote seems as if it is sealed in his blood.

Plot Variations:  A Dublin resident wanders through one day, his appointments and relationships changing through the massive, ever-shifting sea of prose, directing his world and future.  A particularly offensive young man uses women as sexual objects and then cons them into giving him money. An author details his own Dublin upbringing, his family relationships, and his eventual questioning of all things conventional.


Buy One:  A summer read is Dubliners, the book that made me a Joyce fan.  It also is the easiest of Joyce’s to read, since it is a collection of his short stories.  It’s rewarding and rich and beautiful, and pretty cheap here.  

If you really want to get a sampling of Joyce, pick up The Portable James Joyce, which includes four of the six books on which Joyce's astonishing reputation is founded: A Portrait of the Artist As a Young Man,  his Collected Poems ; Exiles, Joyce's only drama; and his volume of short stories, Dubliners. There is also a bit of Ulysses and Finnegans Wake.  How’s that for a cheater recommendation?  Available here.


Favorite Quote:  It’s deceptively easy and Irish; also filled with pain and longing, like all of Joyce’s work: “When I die, Dublin will be written in my heart.”

Trivia: Joyce was born in the same year as Virginia Woolf, a fellow modernist writer!  Both were born in 1882, and both writers also died in the same year, 1941. Both wrote landmark modernist novels, published in the 1920s, whose principal action takes place over just one day in mid-June (Ulysses and Mrs Dalloway). Both pioneered “stream of consciousness” – a technique associated with modernist writing.

Poetic License: Joyce was a poet first and foremost.  It is poetry that shaped his beautiful, flowing, liquidy prose.  James was an outspoken opponent of the Catholic church, but his writing betrays his own heart’s quest to find God.  I leave you with a one of his poems, simply entitled “A Prayer”:


Again!
Come, give, yield all your strength to me!
From far a low word breathes on the breaking brain
Its cruel calm, submission's misery,
Gentling her awe as to a soul predestined.
Cease, silent love! My doom!


Blind me with your dark nearness, O have mercy, beloved enemy of my will!
I dare not withstand the cold touch that I dread.
Draw from me still
My slow life! Bend deeper on me, threatening head,
Proud by my downfall, remembering, pitying
Him who is, him who was!

Again!
Together, folded by the night, they lay on earth. I hear
From far her low word breathe on my breaking brain.
Come! I yield. Bend deeper upon me! I am here.
Subduer, do not leave me! Only joy, only anguish,

Take me, save me, soothe me, O spare me!

Monday, May 6, 2013

short



May is short story month.

A short story can be any length that tells one story that is satisfying to the reader and yet makes them think.  A good short story usually leaves us with the feeling of “What would have happened if…?”  or “What will happen next?” 

The world of readers is changing.   More people are reading than ever before and apple and kindle have figured this out.  Because of this, they are selling more and more short stories to their clients.  These short stories can be read in the time of a normal bus commute, and afternoon at the beach and are offered at lower prices than full-length books.

The minute they were introduced in 2010, Kindle Singles became wildly popular, being shorter and more affordable.

"In many cases, 10,000 to 30,000 words (roughly 30 to 90 pages) might be the perfect, natural length to lay out a single killer idea, well researched, well argued and well illustrated--whether it's a business lesson, a political point of view, a scientific argument, or a beautifully crafted essay on a current event," Amazon said.

A short story is a beautiful fiction read with a fast pay-off.  Most good writers can write a short story and see it like a child, resembling one of their novels, only smaller.  I love Tolstoy’s “The Death of Ivan Ilyich,”  Isak Dinesen's (Karen Blixen) “Babette's Feast” and anything Flannery O’Connor wrote. 

The most haunting short story I ever read was “Counterparts” by James Joyce, a terrible story of a compulsive alcoholic in a dead-end job teetering on a breakdown.  The reader meets him on a day that he is bullied by his boss.  It was horrifying and strange and immortal.  When I finished, I winced and sat for awhile.  I replaced the book where I found it and walked away disturbed by what I just saw.  I was relieved that it was fiction; I was troubled that it wasn’t. 

A good story does that: it stays with you long after you read it.  Even in the din of our world: the television, the club music,  the gym activity, the kids... a good story transports the reader into another world. 

This month I am looking for guest bloggers with original short stories.  Can you tell one?  If so, email me or inbox me.  I’d love to read your work and then post it here. 

Blessings; happy reading 

Monday, October 15, 2012

read



The first book I ever read all the way through by my own free will was one called “The Gift of Magic” by a young adult author, Lois Duncan.  I was twelve years old and we were about to make a trip across country to Boston, the land of my father,  in our yellow station wagon with my parents and four siblings.  The thought of me reading anything in a car (my parents referred to me when talking about the trip as “the one who gets carsick”) surprised everyone, even me.  But I was determined and bought the book myself with money I had saved myself.  I carefully removed the order form from a Scholastic book flier with a pair of scissors I found in our kitchen.  The book arrived at school and had a shiny, attractive cover with a young girl day dreaming and pouring forth painted thoughts.  It was one of two books I read that summer and then I was known as “the one who likes to read”.

Two summers later, just to prove I was smarter than everyone around me (I wasn’t, by the way) I read “Tale of Two Cities” by Charles Dickens. My father was proud, remarking that it was time I started reading “authors that are important”.  The book was remarkably English (a foreign language for Americans) and harder to read.  My thoughts would drift as I read the pages, its characters a little to veiled for me to understand.  It wasn't until much later that I would read it again and appreciate it, like all of Dickens' books.

Years past and reading became more necessary than pleasurable.  I read cookbooks to master the ways of my mother and mother-in-law in the kitchen; the Bible to reprogram my mind as I started a new life; Shape magazine to survive being married to a jock husband who looked good all of the time.  I also read a lot – a LOT – of Christian self-help books.  My favorite author was a man by the name of Mike Wells, who wrote two standards I always return to: Sidetracked in the Wilderness and Problems, God’s Presence and Prayer. 


One day I saw the movie “Sense and Sensibility”, so beautiful in conversation that I knew I would have to get the book.  We marched to the used book store I haunted and picked up a hard-copy while my kids chose a few themselves. 

Sense and Sensibility did not require concentration.  It was brilliant and juicy and I loved Jane Austen for writing it.  Written in a post-Victorian era, there was no reason I should have related so well to Marianne, the tragic sister who lives a life with her heart attached squarely on her sleeve.  I finished the book slowly but enjoyed every page.

I later returned to the same bookstore (my haunt while in Sacramento) to buy the greatest literary purchase I would ever make: Leo Tolstoy’s War and Peace.  If I could read War and Peace, I could read anything.  The book store owner recommended the Penguin Classic, which she told me was translated from the original Russian and French by a master: Rosemary Edmonds.  In her opinion it was the best translation available- she couldn't believe no one had bought it off of her shelf yet -but it was a new copy, not used.  The price tag was a whopping nine dollars, but I bought it.  Thank God.


War and Peace took me a year to read, three months to become interested in.  Want a heads up?  Leo Tolstoy plays around for the first third of his books like an old uncle who is going to tell you a story but spends too much time talking about nothing.  BUT once the old uncle entered the second third of the story I was thrown to the ground with events that couldn't possibly have happened (did I read that right?) and was wide awake for the last two thirds of the novel.  After finishing War and Peace, I realized I had unintentionally learned about the Napoleonic Wars and how the world (and war itself) would never be the same after them.  How did Uncle Leo do that?


After War and Peace I ran a marathon.  It inspired me to take on things that took time to acheive.

Many books followed.  Jane Austen's Pride and Prejudice, Charles Dickens David Copperfield (my son read it before I did), Leo Tolstoy's Anna Karenina (a book that nearly sent me into depression),  Naguib Mahfouz's Cairo Trilogy; James Joyce's Dubliners; and then a sneaky girl named Amy Tan (who was still alive!) made her way into my heart (past the dead legends) with Joy Luck Club and The Hundred Secret Senses.  

They lived at my bedside, reminding me that words were beautiful and made pain understandable and life translatable if you could swallow the words and felt them deep inside. Their characters were all people I had met before in my life and I loved and hated them and cried out for justice in the pages where they lived.  Inside of their pages was beauty - words twisted into patterns that evoked deep emotions, calling forth my interest like all good authors do.

At the airport last week I perused the novels section, the popular fiction that is selling right now.  Having just finished my first novel, I am encouraged by everyone I know in the publishing industry to take a look at what is “selling”.  

I looked at a stacked tower in the middle of the bookstore entryway where I saw the pesky 50 Shades of Grey. The tower was stacked and already half gone.  I had heard about this novel, the one that aspiring authors (and established ones) love to hate.  Sir Salman Rushdie (author of The Satanic Verses) admitted last week that one of his least favorite books is 'Fifty Shades of Grey', saying that it makes the Twilight series look "look like 'War and Peace'." Ha!  I looked inside of its pages for beauty, a colorful scene or conversation that would drag me in.  Instead I found words pieced together like an essay from a high-schooler - something I would read at a bargain table two years after the store had tried to sell all of its copies.  I was bored leafing through it.  


After I put it down I noticed a new novel- The Light Between Oceans  by M.L. Stedman, mainly because its cover (a nautical script watermarked behind jagged rocks) caught my eye.  I picked it up and couldn't put it down.  I read the first pages and delighted in the sounds and smells it painted.  Inside of the front flap I saw it was the author's forst novel and would soon be made into a motion picture.  I sighed, glad for her - it looked like a really good story. 

This world loves really good stories.

I left the airport bookstore and returned to Mario, who was waiting for our flight in a long line of people.  There had been a delay and everyone was camping out in the few remaining chairs.  “Can I borrow the computer?” I asked him.  He was busy on his ipad and instead of getting out our laptop, handed the tablet  to me. 

“You should have wi-fi,” he said.  Instead of feeling guilty for hijacking his ipad from him, I worked fast.  The Light Between Oceans was available from amazon for a much reduced price, but I decided I'd rather buy it from an indie book store once I got home.  It also was available on kindle (I adore my kindle) but I never buy a book that I know I want to hug when I’m finished as an e-book - and I suspected this would be one of them.

Good reads, like easy reads have a place in my heart.  There is much to be learned from the classics but I am learning to enjoy the moderns.  I have recently bought several books from people who are still alive.  People who (like Amy Tan) can tell a riveting story that leaves you loving the characters and loving them like brothers and sisters. There is something of light and promise inside of a story.  Barbara Kingsolver says "Give me ten hours and I'll give you a reason to turn every page."

Whether its Dickens or Dostoevsky; Austen or James; Tan or Paton...I love them all. 

I love them for telling me a story before bed, just like my mom used to do.  A story that sets me free and makes me question and causes me to be more tender to people I don't understand.  A story that tells me that people are worth it, families are complicated and God is there, in all of the twenty six characters that breathe out beauty inside of white pages that used to be empty.  

Sigh....